incl maxi cd !! skail master m, a well known electro-techno-house duet from geneva, is back with a new ep, released on the fresh slim records label. champagne , first, a fluid and festive hymn, a vibrant mix of liquid sounds and sparkling rythm, full of a bright, clear lightness. miamore , then, with its smooth texture, slightly enhanced with fleeting, evanescent, almost impalpable beats. and at last, white chocolate , to conclude on a bright, shiny explosion of sensual shades, a playful blast of subtle tones and glowing resonances, soft impulses and sharp brilliances.

skail master m, a well known electro-techno-house duet from geneva, is back with a new ep, released on the fresh slim records label. champagne , first, a fluid and festive hymn, a vibrant mix of liquid sounds and sparkling rythm, full of a bright, clear lightness. miamore , then, with its smooth texture, slightly enhanced with fleeting, evanescent, almost impalpable beats. and at last, white chocolate , to conclude on a bright, shiny explosion of sensual shades, a playful blast of subtle tones and glowing resonances, soft impulses and sharp brilliances.

clone classic cuts continues to dig in the crates to bring back forgotten or obscure records from the past! this is 3 tracks by da posse (produced by hula... one of the outthere brothers... and with maurice joshua, k fingers & martell). strings & its my life are chicagos take on detroit techno... a rare release that sounds like a early derrick may record (think the dance) but maybe slightly more straight forward (as one might expect from chicago). a rare piece in house and techno history since this is one of the rare examples of a record that doesnt show the clear difference between chicago and detroit in the late 80s. this record most likely got produced within 1 year after rhythm = rhythms legendary nude photo and strings of life releases (both 87 and this came out in 88). as extra bonus track we have the groove. a phat bass driven chicago acid track that still rocks it. another fine piece of powerful dance music history back in the spot light!

samuel knob funks his way back into barraca music via his tracks & bonus ep w/ uner & edu imbernon remix. a slice of grime for the dancefloor bound to gag and bump skirts in the air. how about adding two of the hottest names uner & edu imbernon to the mix and humping all night long to space loops and hammering percussive grooves. well the answer is clear...
supported by: steve bug, loco dice, reboot, seth troxler, raresh, cassy, andrew grant, ali nasser ...

the musical evolution of matthias tanzmann as producer is in full swing - a quick look over his releases and remixes of the last year reveals an ease and sophistication, as hefurther progresses the reduction of house music. and with great pleasure we get to provide his pinnacle of the year so far, >chano<, the two versions of the track demonstrating just where house can take you on the threshold of a new decade. the a side concentrates on a percussive rhythm and a lyrical vocal, its carefully placed sounds building the track into a dynamic and hypnotic whole. the b side of >chano< is arranged more classically - a deep chord, a clear beat, accentuated hi-hats and claps…
supported by: luciano, josh wink, karotte, raresh, reboot, mathias kaden, nic fanciulli, martinez, sven tasnadi, davide squillace, ralph lawson, nick curly, anthony collins, simon flower, nima gorji, afrilounge, julietta, justin drake, kabale und liebe, brothers vibe, jimpster, andre galluzzi, julien chaptal, markus fix, lauhaus, boris werner, timo maas, loco dice, tiefschwarz …

constant development in stagnating musical landscapes is the key to remain catchy as an artist these days. adrian martin & eleminal are always yearning for progress. >la calma<, their new release on miniload gives you a listen on their growing sophistication. an adroit beat conduction married to a sneaky bass giving birth to a tremendous and powerful musical moment, peppered with hidden hooks and a savory break. >la calma< is smoother than previous releases by adrian & eleminal without condemning a certain roughness of preceding collaborations. tom clark (highgrade records) follows that footprint, though adding a more frontal bass paired with a dreamy almost breathed on jazzy feel melody construction. miniload artists doppelt gemoppelt are redefining >la calma< in a straighter harmonization. no vanilla - just a clear and well structured body, adding cushy noises and warm imbedded waves.

ed rush & nicos >defect< was originally released in 1996 on the no u turn label as the flipside to >mothership< andfeatured on the classic >torque< compilation album. no u turn not only influenced a generation of drum & bassproducers but the labels sound also resonated with techno producers around the world and that influence can still be heard today. now defect returns on perc trax with 2 new mixes to form a truly unique release. this is the 1st time no u turn has granted a license for a remix and the respect that both remixers have the label is clear from the mixes they have produced.

upon you 029 is a split double a-side ep. mathias has gone for his patented sway technique and has released a shameless, no regrets, rave monster from the murky depths of his chicago-house box. whereas marco resmann, on aa, has taken a subtler, cooler and more secretive approach, venturing out into the dub countryside and having mz sunday love whisper the words: i will love you into this chrystal clear arrangement. two distinctively diverse quality products from the upon you family

this is an edition of 99 one sided 12inch (some black and some clear green) vinyl copies. each copy comes with a numbered info sheet and a handsprayed delta. tip!!

this is an edition of 99 one sided 12inch (some black and some clear green) vinyl copies. each copy comes with a numbered info sheet and a handsprayed delta. tip!!

bodo elsel has only done a handful of records and the two that i have known and loved since 1998 were put out on playhouse, the excellent housey sister-label of mighty klang elektronik. one track in particular, discount baby, has always stood out in my mind as a high water mark in the sacred art of groove (you may have heard of it). punchy accents and resonant bass layered with trippy vocal loops, its dubby acid house of the highest order, made by a mysterious german lego-master, who the a&r team of mike mind and thomas st shindig managed to coax back into activity.
it only took bodo a year to answer mr. minds email, but he eventually delivered three amazing tracks... >haustier< revitalizes piano house. >mai< is incredible, and >mein haus< is one of the top few all-time expressions of the greatness/meaning of germany, putting it in the fine company of the autobahn, sven väth and christmas-market schwein. nice wibes!!
the icing on the cake was that bodo made it very clear he wanted no part in royalties or any of that business crap... he just wanted 42 copies of the record. yes. 42.
we were so inspired by all of this that we decided to put this record out in a different way for us that just feels right this time.... if you want to find out just how good the >mein haus ep< is, you will have no choice but to buy a copy of the 12 inch because this one is a vinyl exclusive!

love from montreal,
thomas von party

this is quenums first release on clapper!
a side: cargo
this track is techno with a touch of old school, but decidedly modern, not nostalgic. it s built on a groovy techno rhythm that quenum knows to do so well, with a recurring agitative sound that takes you one level higher. the earthy music, rooted by the feet in the ground, grabs the hips.
b side: ouidah
welcome to west africa and the port city of ouidah, home of the quenum clan. this track is classic quenum, clear-headed techno influenced by african rhythm, hypnotic percussions and inimitable touches that add warmth to the sober mix. this one is for the head, but without letting go of the hips.
dachshund and quenum will alternate their work on each release, so look out for the upcoming clapper 003 by dachshund. in the meantime, check out this track and enjoy the show!

alex comes to an end with the first series of releases on his imprint credo. ten outstanding records have been highly recognized as a contribution to the modern defintion of techno, contanst plays from the big names and there is no doubt that end of the bleepwill perform as well. again one track which is nothing else than techno for the real peaktimes, driving basslines and a modulating signal-tone to cook the floor up and down. the flipside with blablableepis kind of deep, very useful for the early or late hours on your set. take a deep breath, this is techno 2009 with clear roots to the golden times of the style. watch out for the remix-series on credo to come up in fall featuring remixes of selected artists...

solo debut by hollands best kept techosecret bas ror, who as kubra already released on frantic flowers and aw records ... and what a little treasure this is! four highly sophisticated & dedicately crafted technotracks capturing various ror moods. pressed on clear blue vinyl and packed in an eco-friendly outer sleeve. check!

clone classic cuts continues to dig in the crates to bring back forgotten or obscure records from the past! this is 3 tracks by da posse (produced by hula... one of the outthere brothers... and with maurice joshua, k fingers & martell). strings & its my life are chicagos take on detroit techno... a rare release that sounds like a early derrick may record (think the dance) but maybe slightly more straight forward (as one might expect from chicago). a rare piece in house and techno history since this is one of the rare examples of a record that doesnt show the clear difference between chicago and detroit in the late 80s. this record most likely got produced within 1 year after rhythm = rhythms legendary nude photo and strings of life releases (both 87 and this came out in 88). as extra bonus track we have the groove. a phat bass driven chicago acid track that still rocks it. another fine piece of powerful dance music history back in the spot light!

you can see it on the news: techno is back, but for those who never left, techno is not a word that comes and goes, techno are forward thinking sounds that you cannot do in one minute with some libraries and cheap software.this brand new release from our factory shows exactly how techno should be done properly, in the interpretation of kike pravda, eric krakeroy and label owner oscar mulero as a remixer.main track, >fear is the enemy< has a direct approach, clean and driving drum programming grows and grows helped by shuffled 909 hats, leaving room for a razor sharp synth line that opens and closes filter in the most dynamic way you can imagine. just a few elements put together wise. oscar reinvents the original in a very similar way, but slowing the vibe a bit, adding more percussive details and elonging the structure, again the sound is clear , punchy and hard, as you like it.closing release, >jaque a la reina< its a 21st century acid track, modern, sharp in sound and agressive in low end, concrete claps, metal hatz and driving synths makes this one the perfect compliment for this stunning release.

supported by: dave clarke (who spins the tracks in heavy rotation during his weekly whitenoise radio show), speedy j, nitzer ebb, thomas p heckmann, felix kroecher, eric sneo, the advent and many more...
be prepared for one of the techno-highlights of the year by those two outstanding producers. virgil enzinger is a true pioneer of the electronic music and is releasing his tracks since many years on the most respected labels such as chris liebings clr, kombination research, enable, killaz, impact mechanics and many others.his partner xavier morel is working in the music-business since the early nineties, released various mix-cds and produced tracks with artists such as juno reactor, prime suspect, eat static... just to name a few. he played all around europe, asia, australia, usa and south america and has been running his own very successful label rasputin records with releases by johannes heil, dj hell, thomas p. heckmann, tony rohr, pascal feos and others.now they joined forces and deliver this massive mind-blowing masterpiece in form of a double-cd-album! this double 12inch-vinyl will contain 4 album-tracks called >particules<, >moon shadow<, >central< and >wolverine<, all stomping techno-killers with a maximum of drive and the top-notch production-skills of virgil enzinger. crystal clear soundscapes meet obscure rolling beats without making any compromises. the album definitely will be a milestone in modern tech-music and for sure won t leave the record-cases of djs around the world during the next months! >fiction< is absolutely recommended for all friends of serious electronic music!

flint kids are london based electronic music duo dave smith & daniel nolan. they began writing together in 2000 on an akai mpc 2000, s600, korg trinity and 303. years later, after having brought laptops, logic, ableton and other electronic goodies, it became clear that the sounds they were hearing in their heads were possible to recreate. their passion for so many different styles of music saved them from ever being pigeonholed, glitches & bleeps fuse with organic matter fired from a techno blunderbuss to create a pool of binary sputum that finds no home in any one genre. what may begin as a well earned candlelit soak in the tub of ambiance can quickly drain away as they pull the plug, leaving the listener cascading down a dank, jagged hole with only a rung less ladder made of plasticine.... not for the faint hearted!

in perfect timing for the 10th bpitch control birthday, thomas muller presents his third solo release. born in paris, the berlin-elect has been in the city for about 2 years. certainly his current location has left an indelible mark on thomas creations - his deep and highly detailed soundscapes were already evident in the last release, >seduction< - a clear idiom into an increasingly dark realm. his current work continues consitently and ambitiously in the same vein.

everythings here is a special record. constructed to epic proportions typical of a danny howells production, this is a building track for the bigger rooms. evolving through swaying drum patterns and a gentle rising and falling melody, the moment comes from the mammoth pads in the break. liquid thang is a funked up floor-mover for the tail end of summer. jazzed up by splashes of horns and flutes, there is a clear old-school feel to the track that marries neatly with the low-down bass grooves, cosmic-sounding distorted keys and chopped up vocal refrains. smooth and shiny!

moleculez returns to meta4 ready to clear dancefloors with some of his most destructive material to date. you know you are dealing with some serious dance music when none of the tracks on a release have vocal samples. the opening track, future in progress, is blessed with a wonderfully deep kickdrum that would probably even sound good at plus20, although we havent tried that yet. out of a nowhere the track suddenly seems to have stopped when an eerie melody creeps out of the dark. this sets the tone for the rest of the release: dark, driving and threatening. gargoyle is the most driving. lava bomb the eeriest: and future in progress the most threatening. thats what we think, anyway. you decide. the last two tracks on this release are probotector and the haunted. the first is actual textbook honest to goodness industrial hardcore while the latter isnt really anything we can talk about here. highly recommended because we want to sell records

record stereo audio directly to your ipod with protrack. capture live sound on your ipod anywhere and anytime without a single cable, and with one hand free! just dock your ipod and cover it with the protective clear shield, and you re ready to roll. you can record detailed, 16-bit, 44.1khz or 22khz stereo digital audio without connecting any additional equipment using protrack s onboard pair of cardioid condenser microphones. the on-board mics are fixed in xy configuration for optimal stereo imaging. protrack also has a pair of combo xlr-1/4 inputs enabling you to connect any professional sound source, including condenser and dynamic microphones and mixer outputs. whether you are running on plug-in or battery power, protrack supplies 48v phantom power to its inputs for operation with external condenser microphones

the third release in audions slow-drip of new music is a devastating trifecta, a trio of tracks that hit hard and leave a mark. with each taste of the new audion, it becomes clear that matthew dears dancefloor alias is deeper, darker and more nuanced than ever before while maintaining a lose-your-mind edge that is impossible to resist.

the second release on the newly formed barcelona label they are changing it comes from barcelona based american dj/producer fluen. on this ep fluen gives us a glimpse into his production range delivering an ep that has a clear chicago/ny house influence , but manages to avoid the conga fever that has swept the scene as of late, and at the same time sounds very current. on the a side, things take off with better days, fun and very dancefloor oriented. the second track on the b side, mary says stands out right away thanks to a catchy piano riff and female cut up vocals,reminiscent of old chicago records. on the b side, fluen mixes things up a bit with a song that catches you from the get go. music remains starts very basic, with a dreamy piano line and a kick that lay the foundations for a song that could easily be a hit, simple, beautiful and very dancefloor friendly. the vocals wisely remind us that >people come and go, times do change and allà. but the music remains<. limited edition of 500 units

starting with the first note of >abc< mr. ho s warm beats are melting into our erdrums, down our spine, sending shots of musical temptation into our legs that give one clear order: dance!

vinyl only !! come and spend a night at the brand new loop hotel...! its a one-ofa-kind international spot where quality, infectious house and techhouse music is piped into every room. so exclusive that its visitors wish to remain anonymous, we are left only to imagine who might be behind the project - yet its clear the calibre of the producer involved is very high indeed! based on the concept of a two track partnership, a solid state jacking groove is introduced, building up a musical statement with a combination of rich analogue equipment to create the vibe. the partner track then, removes all the previously explored musical elements, keeping the beats intact, and builds a new track again from the foundations up. room 101 is a tooly, playful house jam, whose strong opening beats provide the basis for a stylish array of synth themes, classic house organs and tweaked out acidic stabs to unfold. keeping the beats then, of course, room 102 takes things down a darker route, with a more reduced family of elements describing a heady, even more acidic late night moment. each track complements its brother remarkably well, and becomes engaging to hear how the emotions, flow and vibe are changed, while maintaining the same functional percussive elements in both tracks. watch out for this new series of releases, that explores the endless possibilities of hidden grooves locked inside the mind of their producer... ready to be expressed on vinyl! welcome to loop hotel.

dust saver for your mixers. smoked/clear professional mixer dust cover fits pioneer djm-600/700/800 & xone-62/92. sehr gute qualität (maße 36 x 32.5 cm)

rennie pilgrems remix competition winners new duo bsd kick off their breakbeat career with this massive ep intoxikated muzik. a real musical journey which takes a really solid and original approach to the breaks sounds. challenging sounds, with a clear common point, positive vibe and both great dancing and listening tunes all the way down.

one of the great aspects of the endlessly varying bass music soundwave is the way it seems able, even compelled, to fuse antecedant styles and genres to itself. in the most innovative hands, influences from last month are absorbed and reworked as smoothly as those from last century, and creativity sparks brightest when the marriage of form and function takes place beyond recognised boundaries? and it?s from that unrestricted zone that uk producer o-dessa emerges. opening with an initial resemblance in sound to the same plaintive blue air of burial, as these tracks resonate deeper in the mind, it becomes clear that this sonic affinity is merely a veil beneath which a new heart beats. the rhythms lurking below the bassline in ?deeper? are like some undiscovered amalgam of old skool hardcore and something you might hear on the latest dirty south mixtape, which somehow manage to defy sense and co-exist in a driving and breathtaking way. mournful mariachi horns and a plunging dub bassline intermingle in a desolate approximation of sergio leone?s western soundtracks, while reedy flutes and distant female voices build a swirling vapour through which skittering woodblocks and metallic ticks raise an anxious sense of motion. anchored by a vast, cone-melting sub-bass undertow, ?deeper? s treasures are buried well below the surface. the juxtapositional subtle-tear-out nature of o-dessa?s production is even more apparent in ?million dollarz?, which reveals itself in stages to be a gradual descent into layers of tweaked amen breaks, but with a grandeur unlike anything previously heard, even though that drum pattern has already been chopped countless ways over the years. it?s not until midway through its five-and-a-half minutes that the famous phased snares rise from the dense banks of atmospherics, but when they do, a moment of blurred euphoria hits and the tune bursts into colourful life. this 12¬ is the first broadcast of many more to come from o-dessa, as - like many have in their own way before and still more strive to do so now - he embarks on his individual journey in the continual reinvention of bass music. instant thrill junkies won?t find their fix in these grooves, but followers of the path less travelled will recognise many signs pointing the way to a rich future.

peter kruder is one of those emblematic names that lead a whole decade and inspire myriads of djs, producers and clubbers all over the world. while he enjoys unprecedented success with kruder & dorfmeister and crossed into the platinum range (selling 1 million copies of the k&d sessions album), he never lost track of the underground. probably his stellar career would never have happened exactly this way if there wasn’t the other kruder: the adventurous dj, the deep producer, the challenging a&r at g-stone, the producer behind dj hell’s highly acclaimed “teufelswerk” album. in 15 years peter kruder has done only 3 singles under his own name though. when you get your ears around “chordal” and “law of return” it becomes totally clear why this rare outing happens on macro. kruder meets his macro debut full on modernism - showcasing his deep, dark, dancefloor grounded side. with a crisp harmonic sequence reminiscent of tchaikovsky’s nutcracker suite, “chordal” hijacks brains on the dancefloor with its vacuum depth and sizzling details. “law of return” on the other side is a kruder signature take on deepness - solemn chords wrapped around a hypnotic groove give you tears of joy. a masterpiece!

the junkies style has continued to evolve over the years under the influence of various genres of electronic music, ranging from deep soulful house to techno and everything in between. the junkies production and remix work have been fundamental in pushing them forward both as artists and dj s. the duo just never seems to stop releasing and remixing tracks, which have gained much support from many of the world s top jocks the junkies are enjoying a string of stellar releases and chart topers , including the hugely successful d-mode ep a collaboration with rawthentic music head honcho, carlo lio. today one thing is very clear.plenty more is still yet to come from the junkies

keep me in my plane is the follow up to the succesful single the plot, including remixes by dj koze and kasper björke. a downtempo disco track that could remind of early talking headsà but goes much further! tip! the danish discorockers whomadewho released their second album in march. and who would ever have thought this: now, one month later, they are everywhere: you can see them on covers of music magazines in germany, france and uk. their concerts are sold out and the blogs freak out about the new singles and weird videos. after the first single the plot now here comes the follow up keep me in my plane. a downtempo disco track that could remind of early talking heads but goes much further. it got a clear touch of scandinavian pop - but without being cheesy as so much of the music we get from the north. remixes come courtesy of german superstar rmxer dj koze (the first remix after his remix compilation on get physical) and danish upcoming master of new house kasper björke

“it’s nearly spring, so the sun god re-emerges after a 3 year hibernation. this series is based on rawer electronic vibrations combining artnoise / jack rhythms / sufi sounds for the fearless music explorer. when the series is complete the music will be followed up by an indie doc /visual art film on dvd dec 2009 with the music feeding this new age cinematic medium. jack fm is the exploration of a sound not yet understood or known to the masses outside the jack community. non-believers mis-interpet what they hear so jack fm is about the re-education of the mis-representation of the sound. jack is not just a feeling, it’s a knowing, a clear and certain mental apprehension of a true aboriginal sound. archived & preserved for future generations by the sun god”

from out of a clear blue sky comes ?my electric family?, the second full-length and third all-round release from new zealand?s bachelorette. bachelorette?s music beams to us through a universe of unconquered pop music, where long beams of sunlight extend to infinity, and blue moons rise wistfully in the deep purple expanse. she stands in the cradle of modern songwriting, that of psychedelic pop music. the sense of infinite possibility felt in those songs, the desire to manipulate a collective sensation to become anything at all, informs bachelorette?s journey. bachelorette?s song structures are traditionally examinations of love and longing, the exploration of self versus self and in relation to the surrounding, silent universe. the songs of ?my electric family? emphasize a particular fascination: the meeting of man and machine. ?my electric family? is an arresting development in the world of sweet pop music.

over the last year a new generation of young and ambitious house producers from frankfurt to mannheim have caused quite a stir. vera heindel is part of the scene in the rhine main area, which is the new centre for innovative and modern house and techno tracks, and peoples house, her first release on cargo edition at the end of 2008 received huge attention from critics and fans alike. this time around vera dishes up four top-notch house tracks for us which demonstrate her unique way of producing - using reduction and funk, the two constants of her music. jump the hump concentrates on two things: a devastastingly simple bassline and a vocal sample which gives the track a lightness and an understatement which you seldomly find in house tracks. miss fitz, veras project partner in mara trax, heads more to the dancefloor with her remix, but without giving up the special character of veras style. the b-side continues to drive with a high dose of funk. a clear organ chord gives ling both playful and elegant moments and with the vocal sample and the easy-going beats it becomes a typical vera- track. the final track on the ep hallimasch is espescially catchy with its melodic and complex style, triggering positive feelings all around

here we go with a potential hit song in a pure purple music style delivered from two quality producers & well mixed with the maiya high energy vocals! the message is clear: change is on the way!! highly recommended!!!

dojo is about getting back to the roots of american techno and house, and getting away from the computer. we want to help bring back the spontaneity and freedom of live performance and recordings. we want to celebrate the raw physicality of the music, and the dj who still likes to mix. ross since, 1997, ross has been in the background of the westcoast canadian techno scene, particularly the victoria family that included mathew jonson, cobblestone jazz, the mole, and hrdvsion. in 1998, he released the now out-of-print compilation album ôgarden city dubs, that featured first material by mathew jonson, and cobblestone jazz. he left for california in æ98, but kept his finger on the pulse as the art director for itiswhatitis recordings. while in the bay area, he listened mostly to soul,rap and early american techno music. heavily influenced by his time spent in the u.s., he started to develop a musical aesthetic, which he is now ready to express. young florent florent moved to vancouver from switzerland to attend art school. he began to get into making techno. tapping into his french-martinique roots, florent quickly developed a unique sound, which caught rossÆs ear. a few live jams later, it was clear that they worked well together, so they got a studio space and got to work. one month later, dojo had its first release. florent has only been making music for a year, but his swiss work-ethic is dangerous

nice price deal !!! today is your day! this record will clear up even the cloudiest sky to bring back the sun!

new was exclusive. rhythm tracks is the new flagship label from vienna record store 33-45 known for their previous loriz sound label. digital sound is great non nonsene cristal clear sexy whoopin minimal rhythm tracks and wicked retro forward minimal techfunk on the dark side.

iggor cavalera is recognized throughout the world as a master drummer and former member of none other than brazilian heavy-metal band sepultura. however, he is as much familiar with turntables and mpcs and he is with a drum kit, taking his credo of hard beat beat and applying it to other projects. as mixhell, he and his wife, laima leyton, combine dancefloor and hard rock sensibilities for dj sets and their productions (just check their great remix for clp, previously on boysnoize records, which is a mix of brasilian baily and rave) for this release bnr bring back young star brodinski, who did his first remix ever for d.i.m. back in 2007 on bnr. he has made a name out there with great productions (turbo, mental groove) and remixes (radioclit, ed banger, bonde du role), supported by a wide range of djs like sven väth, laurent garnier, erol alkan and the ed bangers - to name a few. he has touched mixhells song “highly explicit” and made it to the perfect spring house hymne. he took the balearic elements of the original combined with a classic house arrangement and when it comes to the massiv break the track reveals a clear message: this is a hit. a must for every house or techno dj in the upcoming spring and summer season

lim clear sexy red vinyl! after ues three massive bombs played by the likes of richie hawtin, loco dice, luciano and mathias kaden. 24 has the percussion line hooks which wander off in a full melodic bliss of over 10 minutes and a serious dose of forward thinking club music and a must for spring 2009. for his second release on resopal, the busy italian has come up with what we believe is a perfect mix between his dancefloor side and his newer material with a more techno-ish touch. 24 is a hard-hitting piece of percussive techno, while somebody send me love is a deeper, slightly hypnotic minimal affair still with the serious injection of funk that underlines the a-side. the remix is done by cecille recording artist ilario allicante who delivers pure summer joy

straight outta the grimey pits of glasgow comes taz buckfaster... don rwina akkachar has picked up this young moroccan producer after hearing a few of his astonishing productions. by having the same background it was clear that these guys needed to work together, and this 12inch is what hard work and sweat can deliver.

another perfect electro affair from the stilleben camp. faceless mind aka luke eargoggle & johan inkinen known for their releases on breakinÆ, creme, strange life imprints and their collaboration with the legendary egyptian lover for the egypt ear werk project. here is a limited two tracks loud 45 rpm ep on french label copilote records in a pure old school electro tradition. think about these old classics, x2 by electric soul, clear by cybotron or dmx krew s best work!

having quickly established himself as a bright new talent, with releases on respected platforms like drumpoet community, resopal and sthlmaudio, langenberg is the latest promising producer to grace the dessous label catalogue. a long flowing, proud and distinctly current sounding moment in house, >alternate rhythm< stakes its foundations in filtered, warping vocal loops, deeply rooted percussion and dubbed out effects. an urgently rousing synthline lifts the tension higher as langenberg breaks it down in classic style, resulting in a fulfilling and tempting treat for the dancefloor. berlin residing sensation sven weisemann first introduced his talents to the world through his work on the styrax leaves and mojuba imprints. now the young nu-wave-deep-house producer adds his own special touch with his ?allop rhythm remix? stripping down the original? sound palette into a delicious trip into precision dub deepness. taking inspiration from the legacy of both the us and german deep house fraternities, weisemann makes his intentions clear with this beautifully crafted, collectors?cut remix. tracklisting: a alternate rhythm b alternate rhythm (weisemann? gallop remix)

how many of todayÆs producers have been releasing music for 13 years? not many. how many will still be recording 13 years from now? hard to say. what can be said without doubt however is that donnacha costello is in this for the long haul. since 1996 he has released dozens of 12&#8243,,,s and made significant contributions to electronic music from 2001Æs classic ambient album together is the new alone to 2004Æs universally acclaimed colorseries to 2006Æs rigorously conceptual 6x6=36 amongst others. shedding the skin of his ten year old minimise label, costello emerges from its semantic stranglehold to bring us his new label and platform look long. from this first release it is clear that costello aims to produce work of lasting quality and beauty with little regard for what a turbulent marketplace might expect of him. complexity and simplicity are addressed in equal measure here and with some surprise we find traces of eric satie, chet baker, pat metheny and steve reich. perhaps unsurprisingly we also find the unmistakable traces of grace and emotion that have become costelloÆs trademarks

schliessfach musik is a new techno label in berlin / germany. as a sublabel from zylinder records the first 10inch maxi single limited to 1000 pcs is comig out. the track >fundamente< on side a was created by the label owner of zylinder records marco fender. clear structures and the variety of samples bound this track to a big club tune. the resident of club watergate (berlin) jens bond designed the track on side b using his modern minimal shuffle sounds made in berlin.

there s not much information about franck valat, laurent flaoh and their project 2buddies. but who needs words in the face of these 4 beauties? clear drops of cool rain drip down from fresh green onto our heads and it feels like flying through fluffy clouds.

nice price deal !!! florian kruse’s sound can be best described as modern electronica, as he fuses downtempo dub-influenced grooves with more german minimal-sounding deep house grooves and tech-house, with clear references to the likes of chateau flight, Âme, stefan goldmann and jazzanova, to name but a few. with previous releases on om records, dieb audio, urban torque etc, florian is giving his debut on knee deep recordings, a slick, fiesty 5 track ep entitled carrer de secilia ep .?there’s plenty of music for all on here - get involved & show your love!

ltd pic disc !!! iggor cavalera is recognized throughout the world as a master drummer and former member of none other than brazilian heavy-metal band sepultura. however, he is as much familiar with turntables and mpcs and he is with a drum kit, taking his credo of hard beat beat and applying it to other projects. as mixhell, he and his wife, laima leyton, combine dancefloor and hard rock sensibilities for dj sets and their productions (just check their great remix for clp, previously on boysnoize records, which is a mix of brasilian baily and rave) for this release bnr bring back young star brodinski, who did his first remix ever for d.i.m. back in 2007 on bnr. he has made a name out there with great productions (turbo, mental groove) and remixes (radioclit, ed banger, bonde du role), supported by a wide range of djs like sven väth, laurent garnier, erol alkan and the ed bangers - to name a few. he has touched mixhells song “highly explicit” and made it to the perfect spring house hymne. he took the balearic elements of the original combined with a classic house arrangement and when it comes to the massiv break the track reveals a clear message: this is a hit. a must for every house or techno dj in the upcoming spring and summer season